Carrie O’Hara

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Literary Adventures of a North Down Prude October 24, 2007

Filed under: Women — carrieohara @ 10:12 pm
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Lily Todd is my source of much knowledge and she recently recommended the Booker nominated On Chesil Beach by Ian Mc Ewan. As I already commented on Lily’s blog, I tried, in vain to purchase said volume from a local bookshop; settling instead  for Belle du Jour- ‘The Intimate Adventures of a London Call Girl’ . I can justify my purchase by various means: quite recently, every magazine you idly flick through (or subscribe to and wait with baited breath to arrive each month) featured Billie Piper, in an ‘in depth and intimate interview about her sexual adventures’: given that she recently portrayed ‘Belle’ in an ITV television production of the novel, also as a sexually active member of the ‘Sex in the City ‘ generation of women I consider it my duty to women (and even soon to be encountered men) to stay abreast (unfortunate term) with the ever changing sexual revolution, Pretty Woman’ remains, one of my favourite movies, Belle’s confessions began life as a blog and I therefore thought I could gain a subject for my own ponderous outpourings; and at Lily’s suggestion I was looking for a book about sexual discovery…

This confession list is an insight to my psyche when it comes to this novel: I feel I have to justify- to you- all four members of my reading public: why I, a QUB English graduate, shaper of young minds, bought and within a matter of days read, a book with a lingerie clad ‘hooker’ on the cover: whose entire reason for putting pen to paper/ or perfectly manicured red talon to keyboard, was to discuss her illegal, highly gripping  (again unfortunate term: this blog may soon  be a study in innuendo) and absolutely adventurous sexual activities. It was one of those books that made me glad I’d moved out of home and wouldn’t have to explain it to my Mother. For anyone who as a  curious teenage ever encountered ‘Ralph’ in Judy Blume’s Forever :  can hopefully share my very guilty pleasure.

I again confess, even as a box-set owning, been on the tour in NYC: Sex in the City graduate, there were certain actions, activities and what could perhaps be described as acrobatics in this novel that I found truly shocking: both in their physical dexterity and sado-masochistic endurance; but also in the honest and frankly glib way that the writer had committed her ‘adventures’ to paper.

Where was Belle’s shame at her chosen profession? Where was her realisation that every single relationship she had (both male and female); the only exception being that with her parents, was both tainted and charged with sex? Belle doesn’t seem to regard herself as the commodity but instead she creates a product for which there is much demand on the market. She only half-heartedly pursues other ‘mainstream’ means of gaining employment.

It is too easy when reading the novel to judge the ‘characters’ that lie within: the men that pay for Belle’s services (naive as I am and enjoy being; I realise that escorts/hookers/people of the night for both genders and for every facet of sexual orientation and experimentation are a feature of every society across the globe: always have been and always will be), the men she has relationships with who are willing to share their intimacy with paying strangers, the friends and family who allow her to continue to ply her trade and perhaps most pointedly  Belle herself, for not taking her degree/ her talents/ her aptitude for image and sales into the nearest, highest paying advertising agency and demanding they pay her for intellectual dexterity.

But who am I to judge? This girl is not a drain on society; she is not at the mercy of a violent pimp, she now gains money not only from her chosen career but also from writing published novels about it. She makes the decisions: ’she says who, she says when, she says how much.’

If the sexual revolution and quest for equality teaches us anything then surely it is that women should be in charge of their own physical destinies. I support a woman’s right to chose, in the broadest sense possible: to pursue a career in ANY given field including those of battle, to not only vote for but run for public office, including the American Presidency, to be a stay at home Mum, to be a Mum who juggles her family and her career, and to abort an unwanted pregnancy. How then, can I judge a financially independent career girl who happens to sell herself to make a living?

Yet I do. On a drunken night long ago I gave up the ideal of no sex before marriage; and that of sex only occurring inside a relationship in which both partners love and respect each other. Sex can entirely be a consenual physical transaction between two adults, uncompromised by emotional attachments. This liberal definition can be readily applied to all of Belle’s adventures: but yet I stand in prudish dismay. I feel that even if she is the highest paid call-girl in London, her ‘industry’  cheapens not only herself, but sexually active people everywhere and even the act of sex itself.

I applaud women who are in control of their own sex lives: inside and outside marriage, in fact inside and outside any sexual relationship totally regardless of orientation; single women with a string of emotionally uncomplicated but physically fulfilling sexual encounters and the woman who patiently wait for that right man to come along. Learning sexual respect for your self is one the most important lessons a society can teach its children (but one we don’t teach particularly well).

As I stand on my hypocritical pedestal  I remain troubled by my condemnation of Belle and my enjoyment of her ‘tale’; so much so, that I travelled to the next town over and bought On Chesil Beach this very afternoon…maybe a little sexual conservativism will help me regain my sexually liberal equilibrium. 

 

The Resuscitaiton of the Boy Band: Take That- Back for Good. October 13, 2007

Filed under: Teenage Years, music — carrieohara @ 9:53 pm

I sit, I type, I await the ridicule (Bring it on Vox O’Malley- bring it on! Lily/ Gold Dust- I remember your dancing delight at Westlife- so bang goes your credibility)… I will however strive to avoid the gushy, overly enthusiastic: often accompanied by shrieking hyperbolic drivel, that fellow concert goers have endured since my recent encounters, with four men from my distant past .

I describe my musical tastes as ecletic (Pop Princess just doesn’t work past the age of 25). I love to do the concert thing: the soul-altering U2 at Slane Castle, OXEGEN ‘05, Robbie at Croke, The Killers, Snow Patrol and even as far as Hyde Park, to the once-in-this-lifetime LIVE 8. I also feel, since we’re in the general business of soul unburdening that I should confess that I’ve been to see Westlife close to ten times, I also saw Boyzone and try to catch Ronan Keating each time he comes to Belfast. Judge if you must…

but know this…if you haven’t been to Take That concert, your judgement(of this particular pop product) is absolutely without substance- its NEVER just about the music. Their shows are truly a theatrical spectacle that could out Broadway Broadway. This ‘Beautiful World’ tour somehow managed to surpass all that had gone before (and not just because ‘At the age of 39 Howard can still do a ‘back-flip,’ Jason can still break dance and Mark Owen still break a thousand hearts; in fact all the ‘boys’ look better than they ever did: oozing sex-appeal at the same power of their dazzling lights) this one boasted a string quartet, a grand piano, a historical tour of mankind, African influences and the best pop music you’ve heard in a deacde. And to those music purists who believe that ‘the music should speak for itself, the light show, the gravity defying dancers, the mesmirising special FX are window dressing’; quite simply don’t know what they’re missing.

These boys (as they each are approaching 40- boys seems euphemistic: but in my mind boys they remain) are incredibly and charismatic, they somehow manage in an arena full to the rafters, to make you feel like the only girl in the room. The thousands disappear. Its just me and the boys. I’ve become the inspiration and the single recipient of one of their million love songs.

There is something almost spiritual about the live music ‘arena’ experience. . There is something about the collectively shared anticipation; the buying of the programme, the polite clapping at the often less than wonderful support act. Then its here. The moment. The lights go out, a feeling of sheer thrill spreads across stadium and through ever fibre of your being- the overwhelming stage lights blind you, the music begins changing the very rhythm of your heart. And in this instance: somewhere in your mind, tucked behind the forgotten school girl crushes, the bad 90s fashion choices, your first ever open-mouthed kiss; is every lyric to every song and the WHOLE crowd are singing along.

Take That were and are about more than making great pop music: they were a vital voice of my generation. I first encountered Mark, Robbie (gone but not forgotten; but never to return: we all realise – and probably did back in’93- that the ’star of those shows’: that gorgeous boy from Stoke, had an ego so damaged by instantaneous, that NO band was the place for it to heal- I love him still), Gary, Jason and Howard when I first encountered boys in general: these five Mancunian lads were part of my (and my generation’s) sexual awakening. But unlike their ‘real-life’ school boy counterparts: none of the fabulous five were ever going to hold me to public ridicule, break my heart or give my parent’s ‘potential teenage pregnancy’ nightmares.

They are an indeliable part of my early teenage years: part of thpse first faltering steps towards independence. I was just discovering that weekends weren’t just about no-school and Saturday morning cartoons; but instead about shopping trips for the top you would wear with your must have 501’s, in preparation for even the smallest possibilities of a slow- dance (something of a discovery itself) at the local “Under 18’s” disco that night. The boy of your dreams was just one song away; you would be married with three children by the time you were 25 and have made your first million by the age of 30.

Hold on just a rose-tinted minute: why oh why would anyone want to recapture their early teens? Puberty is so terribly unkind to us all: you’re either a lingerie wearing trail blazer or THE LAST GIRL ON THE PLANET to need to wear a bra. You’re a total prisoner to the molotov cocktail of hormones carousing around your rapidly changing body and no-one seems to understand just what you’re going through.

And how can anyone be nostalgic for the early nineties? Operation Desert Storm was just beginning, LA was in flames of racial hatred after the Rodney King verdict and the humanitarian horrors of the Rwandan genocide was about to be ignored by the world.

My nostalgia however, is for a personally much simpler time: when all five of us sat around the family dinner table on a daily basis; my older sister yet to start the family tradition of ‘taking off’ to University, my Daddy still with us. I didn’t worry in the least about what to make for dinner, how to pay my car insurance, or my mortgage; and contraception was merely a source of giggling. The ‘only ‘ terrorism we faced was our horrifying homegrown variety, Manhattan still buzzed beneath the Twin Towers, London commuters only Tube fear was ‘were they running on time?’, the Iron Curtain had crumbled and Nelson Mandela had been granted ‘Freedom at Last’. We by no means lived in a perfect world but somehow, to me at least, it seemed a less frightening place to be.

The Backstreet Boys (did they ever go away?), the Spice Girls, 911(who?) and East 17 are jumping upon the’Let’s get the band back together again’ band wagon. My unqualified prediction? It won’t work: they don’t have the ingredients that make Take That, Take That. They are missing: the talent; the charisma and the new-found mutually respecting musical harmony of the boys who so graced the Odyssey stage in Belfast for the last five nights. Take That are unashamedly both proud and deprecating about their teenage-angst driven past: their audience has matured as they did: we collectively bring our life experience to the music: they in the creating of it and we in the appreciation. And in doing so reach they a whole new generation who are just discovering a beautiful world.